Friday, June 8, 2012

Evernote in the classroom

Evernote in the Classroom
What did you like most about using Evernote to take notes in class? 
I did not use Evernote very often in class, but when I did, I found it to be quite useful. I like Evernote because it is easily accessible in 'the cloud', and it doesn't require any emailing or copying and pasting on my part. I found it very easy to open when I had my iPad in front of me for note taking and draft writing. Evernote was my preferred note taking app during my time using the iPads because I didn't have to do any emailing or copying. I liked very much that all of my notes were saved and organized by time and date. I liked that Evernote also connected to Dropbox when I needed to reference a document or picture. I also liked the fact that Evernote autosaved all of my notes for me. I did not use Evernote very often, but when I did I found  that i liked the app because of its ease.

What problems or limitations did you encounter while using Evernote?
Although Evernote is mainly for note taking- hence the name- I wish that it took a similar style to Microsoft Office Word. I wish that the Evernote app was also a paper and full essay writing app rather than just a note taking one. My only problems with Evernote were the lack of spell check and Microsoft Word tools. Besides my wishes for more Evernote tools, I loved the app, and the ease that it brought to my note taking.

Do you have any other feedback or suggestion on making Evernote better?
My only feedback would be that Evernote gain more Microsoft office-like tools in order to accommodate longer writing. I would have liked to see an app that was similar to Microsoft Office Word for longer essay writing on the iPads. Although there are no such kind, I believe Evernote is very close. Other than that feedback, anything else I would have to say about Evernote would be mainly positive. The app is very easy to access and provides super-easy ways to save notes and annotations. The Evernote app allowed me to never have to copy and paste notes into an email, and instead just continue writing while it was automatically saved. Evernote is very organized and easy and I appreciate all of the time that it saved me. Although I did not use Evernote very often, when I did use the app for annotating and note taking I found it to be very useful and easy.

Thursday, June 7, 2012

iPads in the Classroom


iPads in the classroom
 What were the benefits of having class iPads in the classroom?
I found the one on one use of iPads in the classroom to be very beneficial. The iPads allowed for an easier flow of information during discussions and a more accessible outlet for annotations. Although writing assignments and essays could be easily done using pen and paper, the use of iPads supported correct spelling and grammar. All work done on the iPads was easily stored in 'the cloud' and could be accessed at home using a computer. The iPads allowed my class to do projects that would never have been possible without them. The iPads allowed for projects to be created using prezi, animation desk for iPads, and photoshop express and supported a more creative work environment. During my time using the iPads I was allowed to create a project relating to our classroom subject matter. My teacher was generous enough to let me purchase animation desk for my iPad and create a video for my project. The experience was amazing and I would love to be able to have that sort of creative freedom again. The iPads were very beneficial for improving work flow and allowed for a more creative environment for our work.

What were the limitations or problems with having a class set of iPads?
My biggest problem with the iPads was the lack of a Microsoft office type app. Writing papers on the iPad is much more difficult than on a regular computer because of  the lack of an app similar to Microsoft word. Although the iPad offers apps like notepad and Evernote and Dropbox, they do not have all of the specific essay writing tools that would be necessary for school assignments. I found annotating and note writing to be a great deal easier with the iPad, but I would never have been able to write a full essay or paper. I believe that our school system is moving in a direction where iPads will replace textbooks and will be a outlet for easy annotations. However, without a proper Microsoft word or office apps I do not believe I would be able to rely on an iPad for fully doing school work. An app for a better writing outlet is inevitably going to be created, but until then, I feel that the iPad would be limited for full school work and essay writing. Other than a better essay writing app, I did not find myself limited in any way while using the iPads.

Do you think that the school district should have more iPad carts for students to use or move to a 1:1 environment where all high students would have access to an iPad they would be able to take home and use during the school year?
I do not believe that students should be given iPads until they can be fully relied upon like a working computer. The iPads were an amazing experience, and I would personally love to have one of my own, but I do not believe I could fully rely on an iPad for school work. I loved my time with the iPads! The iPads provided amazing creative freedom when working on projects, and gave the class better comprehension of the subject matter. Information was easily accessible, being that every student had a working computer and  world wide web right on their desk in front of them. Notes and annotations were easily taken, and were even more easily accessed when stored in 'the cloud'. Although the iPads were very cool, I dont believe they are ready to be relied on by a school system. The iPads do not have an app that would easily allow essay writing like a computer and Microsoft Word. Until a better app for assigned essay writing is created for the iPad, I do not believe that my school should give students expensive tools that they could not fully rely on for school work.  

 

Sunday, March 25, 2012

Grace Martinez
Honors American Literature
3/25/2012
Bad Luck Kills
It was a warm and humid night as the sun set against the sky over New Orleans. The streets of the French Quarter were bustling with people, and the stores and restaurants held their doors open to the crowd. The streets were slick, and the golden hue radiating off of the setting sun gave the pavement a shimmering glow. The colorful walls and windows lining the street evaded even the hint of darkness, and pervaded more bright colors into the shimmering pavement. Porches circled every floor of the brightly colored buildings, and overflowed with more brilliantly colored plants and flowers. The railings to these porches were all intricately decorated, and all windows held their shutters open to take in the beautiful night. As the sun set, the light began slowly receding from the streets. The colorful shimmer faded, and lights appeared in open windows and doors. The crowd diminished with the light, leaving only the locals in the street. Although the neighborhood was always clear of violence and crime, those who still remained on the road were visibly becoming anxious. The looming threat was obvious to the locals who lingered, and they began slowly making a retreat to their homes, standing under the safe light of their porches. The last glimpse of the sun, sparkling over the buildings, finally is gone, and darkness is left in its wake. The shadows came with the darkness. They crept along the walls, taking different shapes to trick the eyes of those peering out of open windows, or standing under the protection of their porch. The shadows took the forms of animals and people, objects and buildings, and slid freely through the night. Through the dark along the unlit walls and streets, the shadows glided, searching for the living. The locals, holding their breath, nervously watch the street with anticipation. When the streaming lights hanging above the street finally flash to life, the crowd immediately let out a unanimous sigh of relief. Windows and doors open, music plays, and the smell of food begins radiating through the street again. The night resumes; without any other trace of the fear that the street goers experienced as they waited for the lights.
            This fear of the dark is common throughout the French Quarter and the immediate swampy area surrounding it. Tourists ignorantly travel through our beautiful neighborhoods without even a clue of its dangers, and many suffer as a result. In our small community, which includes the always crowded French Quarter, shadows hold no tangible form. They run freely through the night, taking the shape of whatever they can grab onto. They are a great danger to those who do not have shadows of their own, and the locals are very aware of that.
            Years ago, in the swamps surrounding the French Quarter, superstition was taken very seriously. Common superstitions were seen as fact, and as a result any object that could project bad luck onto the living was banned. Although physical superstitious objects were erased from the small society, fear of the dark and bad luck still reigned on. The locals could feel the constant threat of evil over their community, and so they feared for their lives. The witch doctors and elders believed the source of the evil was emanating from the existence of shadows. The elders believed that the shadows were the work of the devil. And that they were demons mimicking the form of the living. The shadows represented the darkness, and the elders believed that they clung to our feet, reaching for our souls. The locals lived in constant fear for their lives. They pleaded for the elders and the witch doctor to remove the evil that clung to their feet. The witch doctor agreed, but informed them that after the ritual was done, and they were free of their shadows, that they would always be in grave danger if the shadows ever came back. They agreed, and the witch doctor performed the voodoo that allowed for the final destruction of the shadows.
The doctor led the locals to the main street in the French Quarter. He arranged them in a straight line, parallel to the sun, facing their shadows that stretched on the street in front of them. The ritual would not work in false light, but the doctor organized rows of candles along the street, to be lit later. He held a large bag of salt in his arms, and began to circle each citizen slowly. He circled each person, spreading a thin line of salt as the sun set over the horizon. The salt was another superstitious item, meant to detach the evil spirits by creating a circle of salt around the local’s feet. As the last person was circled in a thin line of salt followed by a few ceremonial words, the sun set, leaving the citizens in complete darkness.
            The witch doctor lit the candles immediately. And upon recognition, the locals spun in their small salt circles, searching for a black silhouette in the light of the flames. There was no trace of any shadow, and they were immediately filled with joy. They ran to their friends and family members with relief, leaving small trails of salt behind them on the street.
They later found that their mortal figures no longer gave off a shadow to any form of light, and that they were free of their shadows altogether. But unlike the superstitious objects that were easily destroyed, their shadows came back with the night. When the ritual had been performed, the shadows were merely freed from their living hosts, released with the thin line of salt. The only area remaining in our district without light was the Bayou, and during the day the shadows would hide under its canopy. They thrived on the darkness, unable to live in the light without a mortal host. So, after the sun set every evening, the locals waited in anticipation for the lights in the streets to flicker to life, driving the shadows out of their lives.
The French Quarter was lively with people again on this beautiful summer’s night. And similar to every other day, the sun set against the horizon, and the lights above the street flashed on at nine p.m. The bodies of the tourists around me made me anxious. They each gave off distorted shadows from the false light above our heads, and I found myself dodging the people around me. I had to remind myself many times that these shadows posed no threat to me, that they already had a host body, that I am safe under the street lights. I weave my way through the crowd, peering up at the beautiful buildings lining the street. After the shadows had been cast out of our community, all of the buildings had been painted with bright colors, and decorated with thousands of lights. The bright colors were meant to keep the neighborhoods light, to drive out the darkness. I cannot help but pity these poor tourists, who have no idea what is lurking at their feet. Oblivious to the evil demons determined to steal their souls. I must look so bizarre to them, not having any shadow of my own, but no one seems to notice. I quickly turn the corner and reach my destination, relieved to be free of the crowd. The chipped yellow painted door is bright, and is surrounded by hanging plants with small yellow flowers. I pushed the door open and walked into the dim room. I carefully stepped over the line of salt that protected the door, and made my way over the woman sitting behind the counter. The walls were lined with shelves that reached the ceiling. They overflowed with jars and dried plants and other bizarre items. I reached the counter and tapped the shoulder of the woman who was hunched over in her chair, asleep.
“Ms. Melba… Ms. Melba, Wake up.”
She awoke with a start. Nearly falling out of her chair and gripping the counter for support.
“My goodness, child! You nearly gave me a heart attack.”
Ms. Melba was elderly. She was nearly a century old, but nowhere near death. Her hair was completely white, and was pulled back into a braid that reached the back of her knees. She wore a gray dress over her robust body and a worn yellow shawl over her shoulders. Her dark aged face smiled up at me when she realized who I was.
            “Emeline, honey, what brings you this far across the bayou?”
“Would you happen to have any more salt Ms. Melba?”
“Of course I do, honey! Can’t ever run out of it here, now can I?”
            Ms. Melba was one of the last living participants in the original shadow ritual. Since she was ridded of her shadow, she became the nonofficial witch doctor to our small community. She held her doors open to the locals who needed special sacred items, and soon she opened up her home as a business. Similar to the shrunken heads and voodoo dolls hanging from her shelves, I was here for another sacred item, salt. The salt that Ms. Melba sold was very different from the regular salt sold in grocery stores. Her salt was purified and holy, sprinkled with special herbs and potions meant to keep the darkness away. She sold it by the pound, but I was in need of much more.  This salt, since its use in the ritual decades ago, has been essential for the shadowless locals. The salt, like the light, keeps us out of the reach of the shadows. By leaving a thin line of salt by doors and windows, we can keep the shadows out of our homes. This was a necessity. During the nights, and while they slept, many locals went unprotected from the shadows. With the use of the sanctified salt, homes and buildings were now safe from the darkness.
            My home however, was not. I had waited too long to replace the salt by my windows and doors, and my home was becoming dangerously close to being unprotected. The salt that Melba sold only lasted one moon cycle before the magic wore off. And I was in need of a large purchase of salt to replace every spot in my home, and seal it from the dark.
            Melba returned from behind a curtain with a large sack of salt. I was amazed that her frail body could still lift such weight. She heaved the sack onto the counter, and slumped back onto her stool. She named her price, and I paid her immediately. I was eager to get home and spread the salt, so that I could relax for another moon cycle. I heaved the sack over my shoulder, and began my journey back to my home through the French Quarter.
            I made my way back to the main street and realized that the sun was already beginning to set. I needed to get home before the moon had risen, so I tried to quicken my pace, all to no avail. The streets were filled with people. The crowd was too dense, and I was nearly slowed to a crawl as I tried to get back home. The sun continued to set, and the shadows of the tourists grew longer and longer. I was nearly to my home as the sun gave its last shine over the horizon. I crept to the side walk and hid under one of the brightly lit porches to evade the few seconds of darkness before the street lights turned on. The sun set, the crowd continued without a care, and the locals waited under the porches in the safety of the light.
            The lights above the streets finally flashed to life, and the locals began to move again. I swiftly moved through the remaining block and I finally reached my home. I lived on the second floor of the bright building, so I rushed to the entrance. The alley next to my building was abnormally dark, and I shied away from it as I reached the door. The walls were painted a light pink, and the door was painted the shade of aqua blue. The porch curved around the building and was lit with a stream of small bright bulbs. Large plants hung from the porch and touched the ground, hiding me from view as I pulled my keys out of my pocket. Fumbling for my keys, I dropped the sack to the floor with a large thud. Suddenly, as if in reaction to the noise, a large hum sounded under the porch. The whirr started with a sudden pop of a small bulb at the end of the stream of lights. The hum got louder, and more bulbs popped in unison. The bulbs began bursting down the line of the lights in my direction, leaving only darkness in its path. With a small cry I searched for my key faster, until finally the darkness overwhelmed me.
I sank to the floor and dropped my keys at my side. I was swathed in the darkness. Small streams of light poked between the plants from the street as I sat in terror. Emanating from the alley, black shadows began to slide along the wall in my direction. I reached for the sack at my side and began tearing at the bag. The shadows were nearly two yards away when I stood, holding the open sack of salt. I started to spread the thin line around me, but it was too late. My eyes were blinded by the darkness before I could finish half of a circle.
I awoke the next morning to light streaming through my bedroom window. Was it all a dream? A horrible nightmare? I sat up from my bed and stood, realizing I was in the clothes I had worn last night. I walked over to the window and gazed down at the street. The sun was high in the sky, probably noon. And the crowd remained, still moseying through the streets. I turned and leaned back against the window and my heart was gripped with fear. Streaming out in front of me, in a reaction to the light from the window, was a black silhouette of myself on my yellow wallpaper. Although I stood with my hands pressed against my mouth, blocking a scream, the shadow stood with its arms to its sides. I traced the figure back to where it was attached to my feet, and finally let out a small wail. In reaction to the noise the shadow dashed, still attached to my feet, across the wall to my left. As if the direction of light had changed instantly, the length of my shadow was now hiding behind my floor length mirror on a different side of the room. I approached it apprehensively, watching my expression in the mirror as I walked closer. In an abrupt motion the mirror crashed to the floor, shattering at my feet. I saw a glimpse of the shadow again, and it dashed to another section of the room. Hyperventilating now, I reached for a piece of the shattered glass at my feet. I knew of the common superstition about a broken mirror, but I looked in the reflection of the shard anyway. I saw the expression of relief that must have been my face as I gazed into the small reflection, which immediately turned to horror. The reflection grinned at me, though I was not smiling, revealing a row of long pointed sharp teeth. I screamed, throwing the shard into the air, and scurried to my bedroom door. I ran into the hallway and began sprinting down the stairs. I tripped after the first two, and tumbled down until I hit the aqua door that led to the street, beginning my seven years of bad luck. I wretched the door open, and gazed at the sack of salt that had been left on the porch from the night before. The semi-circle that I had managed to spread before the blackness got me was gone. Instead, the salt was spread through the now open door and up the stairs, as if someone had been dragged through it. Another small screech escaped my lips as I backed away from the door and began running through the streets of the French Quarter. The shadows of the tourists now seemed to reach for me, grabbing at my ankles as I shoved my way through the crowd. For an instant I peered back, looking for my shadow behind me, seeing that it was still there blacker than ever. I finally reached the bright yellow door of Ms. Melba’s and tore it open. I threw myself through the entrance and was flung onto the pavement by an unseen force. Ms. Melba sauntered up to the door, stepping over the salt barrier, and looked down at me.
“No way you are gonna be able to get in here. Not with that thing tied to ya.”
I immediately remembered the line of salt that would keep me out of her store. With this shadow attached to me, I wouldn’t be able to go anywhere.
“What can I do Melba?” I sobbed, sitting upright on the street with my head in my hands.
“Nothing good will come from that.” She pointed at the shadow.
“You can surely not live with it. Your soul is vulnerable as it ‘tis.”
I stood, wiping the tears from my cheeks. I gazed behind me, and saw the shadow stretched along the pavement. It did not mimic my pose; instead it held its arms out to its side with sharp claws attached to its fingers. I shuddered and faced Melba with new tears in my eyes.
“Please help me.”
            “Like I said, you are doomed if you keep that thing attached to ya. The shadow that you have got… it is worse than the others. It don’t even try to hide that it’s not like the others.”
            “What do you mean?  How is it different?”
            “Why, yours is not like those of the ignorant tourists in the crowd. The shadow that has attached to you, it is the shadow of a demon. It will cast your soul to hell, and take your body. You must perform the ritual again if you wish to live.”
            I knew the stories. I knew how the original locals did it, but I didn’t know what words the witch doctors had said as he finished the ceremony.
            “How did he do it Melba? What did he say at the end?”
“Nous sauver de l'ombre.”
“What does it mean?”
Gravely she stated, “Save us from the shadows.”

Carrying a new sack of salt, which Melba handed to me as she bid me good luck, I ran through the crowds to the far end of the French District towards the setting sun. My shadow stretched yards behind me as I reached the end of the main street. Beyond the bright buildings and lights, the street turned to a dirt road, and led far into the dark bayou. There was no one to be seen in this area because the dark terrified the locals, and even the tourists found themselves steered away from the black swamps.
I sat, waiting for the sun to set over the tree line, before I began the ritual. I stood on the few feet of pavement before the dirt road, and watched as the last sparkle of sun hit the tree tops. At that moment I began. I ripped open the bag and poured the salt around me as I spun in a circle. The light from the sun fell over the horizon as I whispered the remaining words.
“Nous sauver de l'ombre…nous sauver de l'ombre…
 nous sauver de l'ombre…”

I stood in the pitch black, and felt the weight fall off of my shoulders. The shadows that had begun to creep along the dirt road towards me receded in anticipation of the street lights. I saw that my own shadow was gone, and I sighed in relief, new tears in my eyes. I looked down the long street to the bustling area of the French Quarter, and watched as the street lights turned on. Block after block, the lights got closer. I waited for the lights above me to turn on so that I could step out of the circle of salt and go thank Ms. Melba. The street lights continued, but suddenly stopped a block away. The lights around me didn’t go on, and I was still enveloped in the darkness. The tears overflowed, pouring down my cheeks. The shadows returned, sliding along the walls and up the road towards my circle of salt. I was too close to the Bayou. The city didn’t turn on the lights this close to the swamp. And as the shadows grew closer and closer to my circle, they drew out their sharp dark claws. As I watched the first shadow reach my feet, all I could think was that this was all a result of my seven years of bad luck.

Friday, March 16, 2012

POE ESSAY


Grace Martinez
Mr. Provenzano
Honors American Literature
16 March 2012
Poe Essay
Edgar Allen Poe, one of the greatest gothic writers of all time, wrote dozens of gothic poems and stories that focused on the theme of death. Of his work, The Masque of Red Death, Ligeia, and The Premature Burial all center on this main theme. Of the countless stories that Poe has written, all of them contain a theme, symbol, of incident that relates directly to death. Although some of his other stories may contain differing themes and morals, death is commonplace in each of his stories in some form. Edgar Allen Poe’s use of death in his stories shows that he was obsessed with using death as a theme for his writing.
Ligeia, written by Poe in 1838, tells the gothic love story of a man obsessing over his deceased wife. Although Ligeia alludes to the traditional tragic love story, Poe manages to twist the tale by adding dark aspects and supernatural elements. Even the description of the narrator’s first wife, Ligeia, is dark and humors he nontraditional aspect of his love story. “It is the person of Ligeia. In stature she was tall, somewhat slender, and, in her latter days, even emaciated… Yet her features were not of that regular mould which we have been falsely taught to worship in the classical labors on the heathen” (Poe 1838). The aspect of death as a theme is not present until the death of Ligeia. The tragic death of the narrator’s first wife causes the story to become about his obsession with the dead. The obsession with the dead is so great that the narrator obsesses over the memory of first wife through the marriage and death of his second wife. “The night waned; and still, with a bosom full of bitter thoughts of the one only and supremely beloved, I remained gazing on the body of Rowena” (Poe 1838). The theme of death is present with the obsession that the narrator has with the memory of the dead Ligeia. The supernatural aspect of the story occurs with the revival of Ligeia through Rowena’s corpse. The initial love story changed drastically as the theme of death became present and caused the story to become gothic. Ligeia is one of the many stories where Poe focuses on, and displays the theme of death.
The Fall of the House of Usher, written by Poe in 1839, is introduced as an extremely gothic story. The mood and setting are bleak and dark, and the gothic elements are immediately introduced within the first lines. The story describes the venture of a man to comfort his close friend, Roderick Usher. As the story develops, the reader learns of the mysterious lineage of the Usher family, and of the strange happenings of the house. The initial themes of The Fall of the House of Usher, expressed by Roderick, were those of superstition and the fear of apparitions. Roderick expresses fear for his sister, Madeleine; also, who he believes is possessed by the bizarre haunted Usher house. “…she succumbed (as for her brother told me at night with inexpressive agitation) to the prostrating power of the destroyer” (Poe 1839). The theme of death is introduced into the story with the death of Roderick’s sister.  Poe inserts symbols of death with the rotting of the house, and the catacombs in the basement. After placing his sister in the basement catacombs, the theme of the supernatural arises with the sounds of his sisters ghostly struggles in the basement. Madeleine claws her way out of her grave, as if reviving from the dead. Roderick confesses to burying her alive and the reader is again reminded of the theme of death. After clawing her way out of the basement, Roderick dies of fright, and Madeleine collapses on top of him. With the death of the Usher family the house collapses, and the lineage of the Usher family ends. With the destruction of the Usher estate, death becomes a symbol of the Usher family’s end, and also results in the death of the house. The theme of death is apparent with the idea of being buried alive and coming back from the dead. The use death as a theme in The Fall of the House of Usher shows that how the theme of death continues to resurface in all of Poe’s works.
The Premature Burial, written by Poe in 1844, represents what the living fear the most. The beginning of the story describes examples of common horrors, of incidences that make the living afraid. As the narrator continues, it is explained that there is one thing that the living fear more than anything else, and that is being buried alive. The theme of death is introduced with the description of being buried alive, and how it can be an experience of a personal Hell. “There are moments when, even to the sober eye of reason, the world of our sad humanity may assume the semblance of Hell” (Poe 1844). In the situations given, where the people were buried alive, the narrator describes the immense horror that they experience at that moment. “… I remained without motion. And why? I could not summon courage to move. I dared not make the effort which was to satisfy me of my fate – and yet there was something at my heart which whispered me it was sure” (Poe 1844).The last example, which happens to be the narrator’s own experience, describes his fear of being buried alive. His experience ends humorously, being that he was not actually buried alive, and that his immense fear made him act foolishly. Poe uses the last example in his story to show that the fear of being buried alive is actually trivial, and that what the living truly fears is death. Similar to The Premature Burial, The Pit and the Pendulum represent the theme of death similarly. The Pit and the Pendulum, written in 1843, describes the horrendous struggle of a man trapped in a torture chamber. The fear represented by the narrator is the fear of death itself in that terrible place. “… the dread sentence of death, was the last of distinct accentuation which reached my ears” (Poe 1843). The theme of death is represented through the fear of being buried alive and of being tortured, which becomes a moral that the living actually fears the inevitable death that one would experience in a buried coffin or in a torture chamber.
The Masque of Red Death is one of the most gothic stories about death that Poe has ever written. Published in 1845, The Masque of Red Death contains very many allusions to death and mortality. The story describes the ‘Red Death’, which is a plague-like illness that sweeps through a population without any hope for survival. The Prince and his noble friends took refuge in his castle in order to survive, and ironically, seal their fate for the end of the story. Each room in his castle were painted different colors and contained a large stained glass window. The last of the colored rooms was painted black, and contained an ominous red tinted window. Each of the rooms represented life, whereas the ending room represented death. The guests represented the living, who feared the black room, and symbolized the living’s fear of death. “But in the western or black chamber the effect of the fire-light that streamed upon the dark hangings through the blood-tinted panes, was ghastly in the extreme, and produced so wild a look upon the countenances of those who entered, that there were few of the company bold enough to set foot within its precincts at all” (Poe  1845). With the appearance of the ghastly man towards the end of the story, the guests in the Prince’s castle became afraid of his presence. The man in the mask represented death himself, and like the living trying to fight off death, the guests tried to fight the man. All of the guests died of the ‘red death’ in the black room trying to fight the man in the mask. Poe places the theme of death heavily upon this story by creating numerous symbols for the living and the dead. The guests dying in the black room of the red death represented the living inevitably dying in the end, and that it cannot be escaped. “And darkness and Decay and the Red Death held illimitable dominion over all” (Poe 1845). The moral created behind Poe’s use of the theme of death in this story was that the living cannot escape dead. The Masque of Red Death is another example of how Poe uses the theme of death in his writing.
Edgar Allen Poe has written many stories with various themes, but an aspect of death is always present in some form. With stories like The Masque of Red Death, Ligeia, and The Premature Burial death is the major theme present. The theme of death is also present as a symbol in The Masque of Red Death and The Fall of the House of Usher. All of Poe’s stories contain an incident of death, like Ligeia in Ligeia, or the Usher family in The Fall of the House of Usher. Death is common place in every one of Poe’s stories, whether that death be a theme, symbol, or just an incident. The use of death as a common theme for Poe’s work shows that he was obsessed in using death in his writing.









Bibliography
Poe, Edgar Allan. "The Fall of the House of Usher." Poestories.com. Web. 13 Mar. 2012.  <http://poestories.com/read/houseofusher>
 Poe, Edgar Allen. “Ligeia.” Poestories.com. Web. 14 March. 2012. <http://poestories.com/read/ligeia>
Poe, Edgar Allan. "The Masque of the Red Death." Poestories.com. Web. 13 Mar. 2012. <http://poestories.com/read/masque>
Poe, Edgar Allan. "The Pit and the Pendulum." Poestories.com. Web. 15 Mar. 2012. <http://poestories.com/read/pit>
Poe, Edgar Allan. "The Premature Burial." Poestories.com. Web. 15 Mar. 201 <http://poestories.com/read/premature>
SparkNotes. "Poe’s Short Stories."  Web. 13 Mar. 2012.

GradeSaver. "Poe's Short Stories Summary and Analysis." Web. 15 Mar.

Friday, March 2, 2012

Faust Legend

Faust Legend

Sylvia Hartley was born on the first day of spring. As she grew up, she grew long golden blond hair. Her skin was smooth, the color of cream with hints of rose petals on their cheeks. She was tall and gorgeous, with eyes the piercing color of blue ice. As she got older, she was noticed more and more for her beauty. She was probably the most beautiful girl in her town near Savannah, Georgia. Girls would dress like Sylvia would, and boys would follow her every step. She was the most popular and beautiful girl in her high school. But, even though she was incredibly lovely, her personality did not reflect that. She tormented others in her school and drove them to depression and tears. She was awful and unpleasant. Even though she was horrid, anyone not a friend of the Sylvia wanted to be one. There were five girls in the Hartley clique. Besides Sylvia, Lana, Brooke, Serena, and Arabella were also a part of the torment to the students at their high school. As a group they would drive other students to depression upon an insult. Besides being popular, Sylvia was extremely wealthy. She was the heiresses to the Hartley fortune, and her father was an important politician who could bribe his daughter through any school. She got everything she ever wanted. Although she had everything, she was constantly in the pursuit of perfection. She would sport layers of makeup, push up bras, and high heels wherever she went. Her clique contained only the prettiest girls in the school, and on occasion, a new girl would get to join. The new girl’s name was Scarlett, and like the others, she would have to pledge to get into the group. Scarlett was tall and slender, like the others, but had beautiful eyes the color of emeralds. Her hair was black, thick, and curly, and her skin was smooth and olive toned. She was gorgeous, and was instantly mesmerized by the Hartley clique. Upon speaking to them she was instantly rejected, insulted, and ignored. Sylvia began to notice Scarlett. As the days wore on, and the boys became distracted by the new beautiful girl that had come to their school, Sylvia began to get jealous. For fun, she decided to invite Scarlett to one of her infamous house parties. The girls planned to have her stay the night with them, and upon getting to know her, would decide what to do with this new girl.

The party came and went. Sex, drugs, and alcohol were always present at the Hartley bashes, and the clique found themselves drunk and worn out by the time the party was over. Scarlett, however, was sober. Scarlett had avoided the drugs and alcohol during the party, and was now sitting awkwardly in Sylvia’s bedroom with the other girls. Sylvia was not pleased, she was pretty, smart, and way too innocent. In the past, Sylvia had played pranks on the new girls who came to stay with her. Now, she was coming up with an idea to pull a prank. She spoke with each of the other girls secretly, whispering behind Scarlett’s back about the plan to scare her. Sylvia knew that Scarlett was very religious, and in order to scare her, she and the other girls decided to have a séance. They took Scarlett into the dark basement, where they had set up candles and drawn the sign of the Devil on the floor with chalk. Scarlett was trembling, and Sylvia was having a hard time not laughing at her. Sylvia motioned for her to lie on the floor in the middle of the chalk symbol. The other girls sat around her and held hands. They began chanting random sayings, and calling for name of dead people they knew. They would fake sounds in the darkness and pretend to be terrified. As the ploy continued, Scarlett continued to get more scared, cringing at the fake noises in the darkness, beginning to hyperventilate. Noticing that Scarlett was terrified, Sylvia gave the signal to the other girls. At once all of the girls circling Scarlett began writhing and screaming. Horrified, Scarlett sat up and looked frantically at all the other girls. All of the sudden Sylvia pulled out a knife she had grabbed from her kitchen and held it high above her head, still continuing her ploy of screaming and writhing and pretended to come down with it right over Scarlett. Scarlett flinched, and as the knife came towards her, her eyes seemed to roll back into her head and she passed out on the floor. Sylvia stopped the knife two inches from her body, and all the girls started laughing. As they laughed, Scarlett began to stir. She began to twitch, more and more until she was writhing between them. The girls stopped laughing, and began worriedly mumbling to each other. Sylvia watched as Scarlett’s arms curled behind her and her eyes went further back into her head. She began making choking sounds, with heavy wheezing, and then stopped breathing altogether. She slumped back to the floor, motionless, with broken blood vessels in the rolled back white of her eyes. Nothing moved until a small stream of blood trickled out from her mouth and nose.

The first one to move was Arabella. Panicking, she shot up, started to sob, and ran from the basement. Lana ran after her. Brooke and Serena stayed, just as shocked and motionless as Sylvia who was still hovering over her. Brooke crawled across the floor with a dazed expression on her face, until her back was against the wall. Serena merely stared, tears streaming down her face.

“This is all your fault, Sylvia.” Said Serena.

Sylvia tore her gaze from the Scarlett’s dead body, to glare at Serena.

“You did it too Serena! I didn’t touch her!” She screamed.

“None of us did, but you were the one who wanted to scare the living s--- out of her, Sylvia, not me!”

“You ALL had a part in this. I didn’t do anything! The b---- just fainted! And then she had a heart attack or something!”

Serena shook her head a stood up, wiping tears away from her cheek and backed towards the stairs.

“I am not going to clean up this mess, I’m outta here, and I’m never coming back. Come on Brooke, we didn’t commit this murder.”

Serena grabbed Brooke’s arm and pulled her up the stairs. The front door slammed, and her car sped away. Sylvia was left alone in the basement with the dead body of Scarlett. In a way, Sylvia was happy that she had killed her. There would be no distractions from her at school now, and she could resume life as the most beautiful girl in her town. She just had to find a way to get rid of the body.

Suddenly, looking at the chalk on her hands from the Devils mark on the floor, all of the candles blew out. She was left in complete darkness. She heard a voice.

“Ssssssyllviaaaaaahhhhhh.”

It was gruff, a man’s voice, with a slight hissing.

“Ssssssyllviaaaaahhhhh, you have killed Sssscarlett.”

“Who the f--- is in my house?! Who are you?!” She screamed, terrified.

“I am the fallen angel… The massssster of the underworld…. And I have come to help you.”

She could not see, but she was terrified at the thought that this person knew she killed Scarlett.

“Help me how?” she replied.

“If you pay the pricccccce, I will relieve your burdensssssssss.”

Overjoyed at the thought of someone getting rid of Scarlett, and taking away her problems, Sylvia replied quickly.

“What do I have to do? Anything! Please!”

“I will take your burden….. If you agree to pay the pricccceeeee.”

“I will pay it! Anything! How much do you want?!”

The voice chuckled in the darkness. Sarcastic now, and replied.

“Ssssssign the deed… and your troublessss will be gone.”

Suddenly, the candles flickered back on. The body of Scarlett was gone, and in its place was a piece of singed, weathered paper. In an ancient scrip the paper wrote:

I will take your burden if you do these tasks,

Upon them done, your crime I will mask,

Your soul is the first of things I need,

If you wish, with your name, sign this deed,

Pay the price or lose your life,

Or sign the line and relieve your strife

Signed,

The Devil

Shocked, she stared at the name written under the note. Under the signature of the devil was a line for her signature, and on the floor laid a quill. Sylvia, wanting her problem to be gone, signed the line under the Devil’s name with her own.

Since Sylvia had signed the deed, a wound had begun to appear on her forearm. At first it appeared to be just the puffy pink scar of a long healed wound. After a few days, the scar separated and became thin strips of jumbled sentences. They separated themselves out enough until the cuts created distinct tasks. Three appeared on her forearm. The first sentence had a line that cut through it and crossed it off. It was a duller red than the others, and it stated:

Give the Devil what he needs, give your soul, and sign the deed.

The second was a brighter red than the other two. It stated:

Sacrifice the life of an animal to the Devil. Slaughter it in the grave of your crime. Sacrifice the innocent to live your life, and relieve the burden that is your strife.

And Sylvia did so.

            She bought a lamb, and took it into the basement. She redrew the symbol in chalk on the floor where Scarlett had died. She slaughtered the lamb. Draining its blood, and cut out its heart, she laid the carcass on the floor and waited for the second task on her arm to form the dash that would cross it off. Her determination to rid herself of her crime was selfish. Driven by perfection and beauty, Sylvia was more corrupt and full of sin than ever before.

            Soon enough, the second task was crossed off. The color turned to the dull red of the first one and the third task grew brighter red than ever. The third task stated:

Remove your beauty, and destroy your wealth. Burn your face to maintain your pace. And upon completion of your third task, your crime will be forever masked.

            Sylvia struggled with the third task. She could not give up her golden hair, her cream skin, and blue eyes. She burned her house to the ground, hoping that it would be enough to appease the Devil. She made sure all of her money was in the basement and lost in the fire.

Sylvia Hartley thought she was safe. She waited for days for the scar to pass through the third task and cross it off. It did not. As she walked through town, now homeless, but still beautiful, she began to think someone was following her. She would notice an ugly woman walking behind her on the sidewalk, always keeping a distance. This woman was ragged with dirty clothing that looked charred and burned. Her hair was black and curly and flowed in front of her face. When Sylvia would sleep in the park, the woman would always be afar watching her. She began to get closer when Sylvia would sleep. And soon enough, she would find this hideous woman standing feet behind her as she walked. One day while walking, people stared at her. They were not longing gazes that she would get; they were disgusted angry faces of those who looked her way. She looked down at herself, and nothing was wrong. When she stopped in front a window, she was horrified. Standing behind her was the ragged woman. Glaring from behind her black curly hair were emerald eyes. Sylvia spun around. But nothing was there. From that point on she was terrified. She knew she was going mad! She was crazy and homeless and poor. To make sure that she would never see the woman again, she enrolled herself in a mental hospital to get better. The days were long and tiresome. She would find herself sitting in front of the mirror, staring at her beautiful face, and would see the ragged woman appear behind her.

One night as she sat, wishing to be rich and popular again, slandering the beautiful nurses that would try to help her, the power went out in her room, and she was trapped in the darkness. Sylvia’s heart almost beat out of her chest.

The dark gruff voice of the Devil spoke to her in the blackness.

“Ssssssssyyyyylllviiiiaaaaahhhhhh….”

“You did not complete the tassssssskssssssss…”

“I did what you asked of me!” She pleaded.

“I can sssssssee that your face is sssssssstill beautiful, though your ssssssoul issssss not.”

“Please! I--”

While she pleaded for her beauty, the face of the Devil showed itself in the darkness. He was the most beautiful man she had ever seen. Of course, he was a fallen angel. But as he came closer towards her in the dark, he began to speak again. As he spoke he bared his long sharp teeth, and hissed his final statement.

“Pay the price or lose your life.”

The last thing Sylvia saw was the Devils bright red eyes. The bright color of scarlet.

Thursday, February 16, 2012

Reaction to the verdict

            The prosecution had the harder side to deal with, and I believe that that should have been taken into account with the jury. The defense had the advantage with the fact that they had “Mark Twain” a.k.a. Christina, on their side. I also do believe that the prosecution had an advantage with Ellie Zak as their leading lawyer. I believe that the prosecution did an amazing job proving their point, and I was very shocked to finally hear the verdict.

The verdict, being that Twain was not guilty, came as a huge surprise on my part. I believe that the prosecution put in much more effort analyzing the text to support their side, than that of the defense. To support the prosecution, direct quotes were analyzed, and characters were questioned based on truths in the book. Witnesses used to support the prosecution supported much more truth and meaning directly from the book than that of the defense.  The defense merely used Mark Twain to their advantage, by having the student give an opinion, and allowing the students opinion to be considered that of Mark Twains because they were playing the character. I believe that the verdict is null and void; being that the student playing Mark Twain could simply say ‘I am not racist.’ and it would be accepted as an official statement of Mark Twain’s. Although the characterization by the student was allowed, I believe the jury should have overlooked the student playing the character, and see who had more direct evidence from the book to support their side. The jury was completely biased. They overlooked the fact that the prosecution had more evidence, and only saw Mark Twain (Christina) “in the flesh” saying that he was not racist. I believe that previous discussions from the book about the abolitionist perspective also influenced the vote of the jury. Although the entire thing was “legal”, I do believe that an unbiased jury would have supported the well planned prosecution.

Also, big props to the prosecuting lawyers, they did an amazing job. I am sorry that they couldn’t leave this trial with satisfaction, being that they lost. I believe their argument should have won over the jury. The prosecution did an amazing job, and the verdict was a huge surprise when it finally came.

Monday, January 16, 2012

Blogpost 3

The Grangerfords has elements of humor, sadness and an allusion to a famous British play you might have read Freshmen year. Identify all 3 of these from the book and provide detail

            The Adventures of Huckleberry Finn, written by Mark Twain, introduce the Grangerfords at the beginning of the seventeenth chapter. Huck, after being saved from a pack of dogs is interrogated by a member of the Grangerford family, to see if he is a Shepardson. After settling that Huck is not a Shepardson, he is invited into the Grangerford home and is immediately immersed in their family’s bizarre culture. The family owns a large estate and many slaves, and although Huck finds the furnishings to be tacky he still admires the house and the family’s lifestyle. The Grangerford’s are introduced to Huck with a fantastic lifestyle. Although the Grangerfords are idolized in Huck’s eyes, he finds point of sadness in their life. Huck finds many sad works of art about the house, and especially in her room, which seemed to be untouched. Each work portrays a theme of death and sadness. “They was different from any pictures I ever see before --blacker, mostly, than is common. One was a woman in a slim black dress… and she was leaning pensive on a tombstone on her right elbow, under a weeping willow” (Twain 184). Each work was created by the late daughter Emmeline Grangerford, who died at the age of fifteen. Although their lifestyle is highly admired by Huck, he cannot help but be saddened by the remnants of Emmeline and her room in the house.

Although the remnants of art left by Emmaline were sad to Huck, he finds humor behind her work, because although sad, her theme of death is ironic in the sense that she is dead also. Twain uses humor when introducing the Grangerfords. Besides the work of Emmeline, Twain uses the introduction of Buck to show humor. Huck asks Buck to spell his name after they first meet, and twain uses Buck’s answer to be humorous to the reader.  “"G-e-o-r-g-e J-a-x-o-n--there now," he says.” (Twain 156 ). Buck’s answer is obvious to the reader to be wrong. Twains uses Bucks introduction to Huck to spark humor during Huck’s time with the Grangerfords. Huck’s initial impression of the Grangerford’s is one of humor and sadness. Huck finds the house’s tacky décor to be humorous as well as Emmeline’s ironic work. Huck’s initial impression of the Grangerfords is one of humor, sadness, and adoration for their lifestyle and what they have.

            Besides the themes of sadness and humor that are apparent in the introduction of the Grangerfords in The Adventures of Huckleberry Finn, the bizarre story behind this family also alludes to the famous Romeo and Juliet written by William Shakespeare. Immediately after meeting the Grangerfords Huck hears of the Shepardsons. After staying with the Grangerfords for a while Huck hears of the feud between the two families. Although the reason for the feud is unknown the hate between the two families is almost tangible.  When both families attend church together, the hate is still rampant, even though the minister preaches about brotherly love. “we all went to church… The men took their guns along, so did Buck, and kept them between their knees” (Twain 289) The feud alludes to the feud between the Montague’s and the Capulet’s in Romeo and Juliet, which was similarly violent. The similarities between the two stories become even greater when Sophia Grangerford runs off with Harney Shepardson. Although the feud between the Montague and Capulet’s ends in a family union and the feud between the Grangerfords and Shepardsons ends in battle the two stories have considerable similarities. Besides the themes of humor and sadness introduced with the Grangerfords, the chapter of the bizarre family compares greatly to the story of Romeo and Juliet.

Page numbers may be different because I was reading off of my Kindle edition.